In the Chinese Peking Opera culture, the actors’ frame, shape and singing all show full tension, especially in the art of facial makeup, which requires a lot of extensibility from the stage to the audience. The work uses rope as the medium. The characteristics of the rope’s extensibility in the material are used as a continuous extension of the concept and visual of the work. The work defines extension-extension as the future, and it is also a concept of learning from each other, combining the features, and a progressive concept. The work is performed from the perspective of traditional Chinese Peking Opera masks while challenging the extension concept.

在中國京劇文化中，演員的功架、造型和唱腔都展現了十足的張力。尤其是面譜藝術中，面譜藝術需要大量延伸性。從舞台上，再到觀眾。正如作品以繩作媒介，將繩在物料上延展性的特徵作為作品概念和視覺上不停延伸。作品定義了延伸-延伸即是未來，也是取長補短、剛柔並濟、一個進步的概念。作品從傳統中國京劇面譜的角度展現同時挑戰著延伸的概念。